An Unflattened Identity and Change Knowledge Graph

symmetry unspecified sense

concept · 1 mention

Quality of balanced or regular arrangement

Connections

The concepts, people, and places this entity is most linked to by claims — node size is mention count, colour is type, dashed nodes are other senses of the same word.

symmetryJapanese art objects — 1 shared claimConfucianism — 1 shared claimNorthern Buddhism — 1 shared claimancient bronzes of China — 1 shared claimreligious arts of Tang dynasty and Nara period — 1 shared claimart of extreme Orient — 1 shared claimJapanese art objectsConfucianismNorthern Buddhismancient bronzes of …religious arts of T…art of extreme Orie…
ConceptWork

Defining properties

Perspectives

Claims grouped by the voice that makes them.

Kakuzo Okakura (author)

  • Confucianism is not opposed to expression of symmetry
    Confucianism, with its deep-seated idea of dualism, and Northern Buddhism with its worship of a trinity, were in no way opposed to the expression of symmetry
    judge verdicts (2)
    • groundedness 1.00 pass — The claim is directly stated in the passage. The quoted sentence explicitly asserts that Confucianism 'were in no way opposed to the expression of symmetry,' which exactly matches the subject-predicate-object relationship of the claim.
    • qualifier_fidelity 1.00 pass — All qualifiers are faithful to the passage. The viewpoint is correctly identified as 'author' since the passage presents this as the author's assertion rather than attributing it to a named source. The stance 'asserts' is appropriate as the passage states this as a factual claim without dispute or questioning. The sentiment is neutral, matching the objective, expository tone. Time qualifiers are correctly null as the passage provides no specific temporal scope for this philosophical principle. Context is empty as appropriate since the passage does not restrict the claim to a particular sense or role. The quote appears verbatim and directly supports the claim about Confucianism's compatibility with symmetry.
  • Northern Buddhism is not opposed to expression of symmetry
    Confucianism, with its deep-seated idea of dualism, and Northern Buddhism with its worship of a trinity, were in no way opposed to the expression of symmetry
    judge verdicts (2)
    • groundedness 1.00 pass — The claim is directly stated in the passage. The text explicitly says 'Northern Buddhism with its worship of a trinity, were in no way opposed to the expression of symmetry,' which directly supports the subject-predicate-object relationship presented in the claim.
    • qualifier_fidelity 1.00 pass — All qualifiers are faithful to the passage. The viewpoint is correctly attributed to the author (implicit authorial assertion). The stance 'asserts' accurately reflects the passage's framing as a straightforward claim rather than a dispute or question. The sentiment is neutral, matching the passage's matter-of-fact tone. Time qualifiers are correctly set to null since the passage provides no temporal restriction. Context is appropriately empty. The quote is verbatim from the passage and directly supports the claim about Northern Buddhism's compatibility with symmetry.
  • ancient bronzes of China demonstrate striving after symmetry
    if we study the ancient bronzes of China or the religious arts of the Tang dynasty and the Nara period, we shall recognize a constant striving after symmetry
    judge verdicts (2)
    • groundedness 1.00 pass — The claim is directly supported by the passage. The exact quote provided matches the text, where the author explicitly states that studying ancient Chinese bronzes reveals 'a constant striving after symmetry.'
    • qualifier_fidelity 1.00 pass — All qualifiers are faithful to the passage. The viewpoint is correctly attributed to the author who presents this as their analysis ('if we study...we shall recognize'). The stance is appropriately 'asserts' as the author states this as fact. The sentiment is neutral, matching the descriptive tone. Time qualifiers are correctly null since no specific dates are given for the ancient bronzes. Context is appropriately empty as no special sense or period restriction is applied. The quote is verbatim and accurately supports the claim about the ancient bronzes of China demonstrating striving after symmetry.
  • religious arts of Tang dynasty and Nara period demonstrate striving after symmetry Tang dynasty and Nara period
    if we study the ancient bronzes of China or the religious arts of the Tang dynasty and the Nara period, we shall recognize a constant striving after symmetry
    judge verdicts (2)
    • groundedness 1.00 pass — The claim is directly stated in the passage. The author explicitly writes that 'if we study the ancient bronzes of China or the religious arts of the Tang dynasty and the Nara period, we shall recognize a constant striving after symmetry,' which perfectly matches the subject, predicate, and object of the claim.
    • qualifier_fidelity 1.00 pass — All qualifiers are faithful to the passage. The viewpoint is correctly attributed to the author (using 'we shall recognize' without attribution to a named source). The stance 'asserts' accurately reflects the passage's framing. The sentiment is appropriately neutral for an observational statement about historical artistic practice. The time qualifiers correctly specify the Tang dynasty and Nara period without extending beyond what the passage provides. The context is appropriately empty as the passage provides none. The quote is verbatim and directly supports the claim about the striving after symmetry in these historical periods.
  • art of extreme Orient has avoided symmetry since Zennism has become the prevailing mode of thought ⟨since Zennism became prevailing mode of thought⟩
    Since Zennism has become the prevailing mode of thought, the art of the extreme Orient has purposefully avoided the symmetrical
    judge verdicts (2)
    • groundedness 1.00 pass — The claim is directly stated in the passage: 'Since Zennism has become the prevailing mode of thought, the art of the extreme Orient has purposefully avoided the symmetrical as expressing not only completion, but repetition.' The quote provided exactly matches the text, and the subject-predicate-object relationship is explicitly supported.
    • qualifier_fidelity 1.00 pass — All qualifiers are faithful to the passage. The viewpoint is correctly attributed to the author (the passage itself makes this assertion). The stance is accurately characterized as 'asserts' - the passage presents this as a factual statement about the art of the extreme Orient. The sentiment is appropriately neutral. The time qualifier correctly reflects the passage's temporal scope ('since Zennism has become the prevailing mode of thought'), with valid_from and valid_to appropriately left null as the passage provides no specific dates. The context accurately captures the restriction to the period since Zennism became the prevailing mode. The quote is verbatim from the passage and directly supports the claim.

Western critics

  • The absence of symmetry in Japanese art objects has been often commented on by Western critics
    judge verdicts (2)
    • groundedness 1.00 pass — This claim is directly and explicitly stated in the passage's opening sentence: 'The absence of symmetry in Japanese art objects has been often commented on by Western critics.' The wording matches the source material precisely, making this fully supported.
    • qualifier_fidelity 1.00 pass — All qualifiers are faithful to the passage. The viewpoint correctly attributes the observation to 'Western critics' as stated in the passage. The stance is appropriately 'asserts' - the passage presents this as a factual observation that has been commented on. The sentiment is neutral, matching the objective tone of the passage. The time qualifiers are all null, which is correct since the passage provides no specific temporal scope. The context is empty, which is appropriate as the passage does not restrict the claim to a particular sense or role. The quote is verbatim from the passage and directly supports the claim.

Change over time

Tang dynasty and Nara period
  • demonstrate striving after religious arts of Tang dynasty and Nara period
since Zennism has become the prevailing mode of thought
  • has avoided art of extreme Orient